Archive for the ‘Painting’ Category

Factory Film Sculpture Prototype

Tuesday, December 18th, 2012

 

While taking the Certificate for Photography Program at the University of Washington this term, I was in the darkroom as much as possible.  I would do my own film developing at home for my 4×5 negatives then take them to the Art Building darkroom to do contact prints and enlarging on photographic paper.

I decided for the last critique of the class I would do some architectural /art drawings based on the factory paintings and sculptures I did earlier this year. I scanned the Sumi/watercolor/ink drawings and inverted them in Photoshop then inkjet printed them.  Lights and camera were set up and the inkjets were pinned to a wall, the negatives were developed and dried then cutout with a sharp hobby knife.  This prototype was taped together with a couple of different Scotch tapes.  Not sure what the next batch is going to be, but I think I will shoot the next negatives in a n 8×10 format. Fun!

 

Sumi/Watercolor thumbnail
Lights Camera thumbnail
4x5 negatives thumbnail
Film Factor outside thumbnail
Film model thumbnail
Film Cutout thumbnail
Sumi/Watercolor

Sumi/Watercolor

This was drawn to scale with Micron archival ink pen, ground Sumi ink and some watercolor on Somerset printmaking paper

Lights Camera

Lights Camera

To save time the lights were set up with metal deflectors and shot with lights in the same plane as the inkjets, lights set at forty-five degrees in plan

4x5 negatives

4x5 negatives

Negatives drying on custom shower curtain ring / chrome binder clip holders

Film Factor outside

Film Factor outside

This film factory sculpture image will be fun to enhance in Lightroom and Photoshop

Film model

Film model

Here is a bottom view of the film factory all taped up

Film Cutout

Film Cutout

This is the remainder of a 4x5 film negative after the factory side shape is cut out



Panel Making for PRINT PAINT FLOW show

Monday, April 30th, 2012

For the Print Paint Flow show there was just a bit less than a month to put together artwork that had been recently made or needed several hours to complete. In addition there were a number of new painting s that were to be produced which included reworking on one and painting new on four 20 x 30″ birch panels;  making four 24 x 36 inch panels for stapling on archival sleeves to hold 20 x 30 works on paper and making four 36 x 60 inch panels for new paintings. On top of that there was so much sculpture and three-dinetional work that we decided to make three new platforms for this show and space.

This post  focuses on how and why panels were made from hollow core doors.  Hollow core doors are relatively cheap if you can buy them at ReStore or Second Use or other recycled building material centers for about 10-20 bucks each. New blank flush doors with primed Masonite skins can be purchased at Frank Door or Dunn Lumber for about 30 bucks – these are cheaper in time because you don’t have to fill hinge slots or door handle holes and they already have one coating of primer.  After the doors are cut to length, filled with new edges, glued, clamped, sanded and gesso is applied they are ready to paint.  Near the show and before transport the eye hooks are installed and they are ready to hang.

Panels are relatively cheap and much cheaper in the larger sizes than canvas or frming of canvas or works on papaer.   Panels are very stable and flat.  Panels from doors can be hung from the top with eyehooks.  The largest panels were less than twenty pounds, easily held by most hanging systems.

 

Process used to prepare panels:

 

Step 1: Cut doors to length (and width if needed).

Step 2: Make correct thicknesses for cut end fill pieces and glue and clamp. Fill any holes or mortises with wood and filler.

Step 3: Afer glue and filler is set, sand and/or plane for flushness. Fill as required.

Step 4: Sand, then gesso at least 3 layers on painted surface and 2 coats on sides and back.  These panels were painted with Daniel Smith World’s Best White Gesso.

Step 5: Paint and draw.

 

Panel cutting thumbnail
End plug gluing thumbnail
Preparing for gluing thumbnail
24 x 36 inch panels before gluing thumbnail
End  filler clamping thumbnail
36 x 60 and 24 x 36 inch panels thumbnail
Four Lino Tests 10A 10B 10C 10D  thumbnail
6 Sewing Machines thumbnail
Panel cutting

Panel cutting

Great clamping straight edge for cutting panels to size

End plug gluing

End plug gluing

A pair of cedar fencing boards were perfect thickness for some of the panel end plugs

Preparing for gluing

Preparing for gluing

Paper cutter for shims, chop saw to cut filler to length

24 x 36 inch panels before gluing

24 x 36 inch panels before gluing

FIr plugs with paper cutter to trim thick paper shims.

End  filler clamping

End filler clamping

Variety of scrap lumber for even pressure during gluing, wax paper layer for easy release

36 x 60 and 24 x 36 inch panels

36 x 60 and 24 x 36 inch panels

Larger panels glued and clamped , smaller panels ready for gluing

Four Lino Tests 10A 10B 10C 10D

Four Lino Tests 10A 10B 10C 10D

Gessoed panel with archival sleeve holding 20 x 30 sheet with small linocuts

6 Sewing Machines

6 Sewing Machines

36 x 60 inch panel with graphite lines and Golden acrylic paint products



Classes at SCCC

Sunday, February 12th, 2012

Took advantage of some sweet deals on classes for those of a certain age at Seattle Central, Painting (acrylic) and Printmaking.  Last class and print exchange will be March 20. Look for lino reduction print “Dolphins at Siding” on Relief page soon.