Posts Tagged ‘Double Exposure Project’

Double Exposure Project Update 2

Wednesday, August 22nd, 2012

 

 

Two new developments:

A refinement to the backdrops and producing a film mask.

 

Back drops:

We were blessed with a visit in the midst of a busy schedule of an old friend visiting her parents in Bellevue with her 15 year old daughter.  I asked if they could try out some new backdrops I had positioned under a white tent. Her daughter was game and I took several images of her and myself in this mid August shoot. These were all shot with a Horseman 4×5 view camera with a 90mm wide angle lens and a Fuji instant filmpack back.  Instant film was scanned with a Epson V500 Photo scanner at 400 dpi with a dust removal program.

 

Tripod, camera, instant film back, two 30 inch by 80 inch hollow core doors painted with flat latex paint fastened to a piece of plywood. Standard 10 foot by 10 foot white fabric canopy. Two older Thonet wood chairs.

 

 

 

 

 

No standard film was shot. The time we had was just enough for 16 shots on 8 pieces of 4 x 5 Fuji color instant film. Here are 8 of the best.

 

 

 

I didn’t like the looks of most of my seating poses and had fun with the standing poses.

 

 

 

Film Mask development:

After the shoot, an extra dark slide was sacrificed for a “portrait mask”  Here are some images of the standard double sided 4 x 5 film holder with a full dark slide and the modified dark slide made into the portrait mask.

Here is a cut “dark slide” made into a portrait mask and a full dark slide that fit into an unusual aluminum film holder I received when buying some other camera gear.

To differentiate the portrait mask from the silver or white used on all other dark slides the mask top was painted orange.

Not very intuitive, the image opening made by the mask is the opposite of the model. If the opening is on the right of the film, it will shoot what is on the left of the backdrop.

A portrait mask is cut out of a standard dark slide.

 


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Double Exposure Project

Thursday, August 9th, 2012

Halloween mask on tripod to infer height of standing and sitting model images. Mask line at inside wall corner. Color Polaroid instant film double exposure

 

 

 

What do you do when a friend gives you a container of 50 or so frozen, but past expiration date 4×5 inch Polaroid color film packs?

 

You give some away, you experiment with some longer exposures, you have some fun because it is free compared to the Fuji version at $30 bucks a 10 pack.

 

Here are some crude examples and experiments with a 90 mm wide angle and a 210 mm standard/portrait lens using an older Polaroid film pack holder set in a Horseman 4×5 view camera on our “ever so slowly being  built over the decades and constantly redesigned” stairway in Seattle.

In the future Harmon reversal black and white paper that can be used in 4×5 film holders and some black and white film will be used to be developed and contact printed or enlarged.  There will be a Mamiya RZ67 with some instant backs and film and a digital SLR and simple lighting for additional images during the shoots.

 

Why do double exposure on instant film when you could do it digitally? Because it is captured right on the photo paper with only manipulating a mask close to the film plane and, yes, it is cool.  In addition, it will be fun collaborating with the subject and there will be other film and digital camera data to manipulate and print in the future.

 

For the process,  the mask will split the image in half in landscape or vertical formats. Since the prototype masks are pretty close to the center of the image on the film or paper the two images of one person that has shifted from one side of the scene to the other between mask changes will appear as if taken once and have no “ghosting” associated with double exposing a full un-masked piece of film.

In the future dark slides will be cut for double film or paper carriers and there will be some dark slides made into masks for the instant film pack holder.

 

 

 

Horseman 4×5 view camera showing back with pack film holder inserted (right side of image).
Styrene cut to shape for vertical mask taped into Graflock back with painting tape. If you could be in the bellows with the lens to your back, this is what you would see, the gray plastic blocks the light.
Shooting process is to take the first shot, reinsert dark slide, take off camera back, remove – flip and retape the mask – reinsert back, change subject position, remove darkslide, take second image.  Simple, huh?


 

Will this be the final setup? Maybe a scrim over the window, probably some photo lights will be added. Hopefully some more finished construction.

 

 

Want to be part of the Taylor Art House Double Exposure Project?

 

If you are interest in modeling for this project and taking home some images of yourself double-exposed, send an e-mail to artman.taylor@gmail.com, in the subject line put, “Taylor Art House – Double Exposure Project”.  Shooting times will be strung together when possible, probably on morning weekend days. Individual sessions will take about 30-60 minutes depending on your patience level.  The setup will be in Wallingford, other locations may be considered.  Photos will be used only with permission.

 

The intent of this project is to have a digital web-based show, possibly have a gallery show and/or publish a small edition book.  If it gets enough interest there may be sub themes – not sure what yet – it is just starting.

 

More later.


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